No prizes for identifying the real hero of Richard Strauss’s Ein Heldenleben. With its swashbuckling self-confidence and self-mocking humour, this ‘Hero’s Life’ is very much the world according to Richard Strauss – an exuberant, off-the-scale showpiece for the Oslo Philharmonic, making its first Proms appearance under its recently appointed and widely acclaimed Chief Conductor Klaus Makëlä. Joining them, in Liszt’s First Piano Concerto is the phenomenal Yuja Wang, who’s said that she ‘feels like a rock star’ when playing at the Proms. Sibelius’s awe-inspiring panorama of the Finnish forests opens a high-octane evening with one of Europe’s great orchestras, and two of the most talked-about classical musicians in the world today.
Fantastic worlds, epic adventures, complex characters and huge moral choices – the universe of computer gaming is a natural match for orchestral music, and in the 21st century games have created a huge and passionate global audience for some of the most vivid, ambitious and inventive music currently being written for symphony orchestra. In this first ever Gaming Prom, Robert Ames – best-known at the Proms for his explorations of sci-fi and electroacoustic music – takes an electronically expanded Royal Philharmonic Orchestra on an odyssey from the classic console titles of the 1980s, through Jessica Curry’s haunted soundscapes to the European concert premiere of music from Hildur Guðnadóttir’s and Sam Slater’s score for Battlefield 2042.
‘Behold, the sea itself!’ Vaughan Williams’s A Sea Symphony takes the poetry of Walt Whitman and opens the floodgates to a spring tide of inspiration. Andrew Manze’s Vaughan Williams recordings have been praised for their ‘rare sensitivity and warmth’, and in the composer’s 150th-anniversary year, A Sea Symphony gets the deluxe treatment from two of the BBC’s great symphonic choruses, plus the operatic voices of soloists Elizabeth Llewellyn and Andrew Foster-Williams. But the concert opens the way Vaughan Williams would have wanted: with a surging musical seascape from his Welsh pupil Grace Williams, and an equally nautical opener by Doreen Carwithen, composed in 1952 and receiving its first Proms performance in this, her centenary year.
Three composers, three landscapes. Elgar wrote his Cello Concerto in the woodlands of Sussex; for many listeners, its autumnal colours evoke emotions too deep for words. From his home in Finland, Sibelius created a symphony that has the grandeur and inevitability of a great river – though some have heard it as a stirring song of national awakening. And elemental forces are the very bedrock of Anna Thorvaldsottir’s inspiration. The BBC Philharmonic, under Eva Kollinainen – a Finnish conductor with close links to Iceland – teams up with charismatic soloist Kian Soltani in Elgar’s hugely popular concerto, and gives the world premiere of a newly forged orchestral work by Iceland-born Anna Thorvaldsottir, for whom composition is ‘a natural part of my life’.
The newly formed Ukrainian Freedom Orchestra, made up of Ukrainian musicians – some from Ukraine’s major cities, some now displaced as refugees, and others who play in European orchestras – is a special late addition to this year’s Proms. Under Canadian-Ukrainian conductor Keri-Lynn Wilson the orchestra is a symbol of the remarkable resolve and determination shown by the people of Ukraine during the dark months of conflict – but also a beacon of hope for peace. They celebrate Ukraine’s leading living composer, Valentin Silvestrov, who escaped Kyiv with his daughter and granddaughter in March. ‘It is now clear how little we appreciate the times when peace reigns,’ he has since said, ‘and how fragile civilisation is.’
British conductor John Wilson has long been a Proms favourite, but last year’s debut appearance of his new super-orchestra the Sinfonia of London caused a sensation. ‘Astonishing,’ wrote The Times. For The Spectator, this was ‘an orchestra so thrillingly alive with the sheer glory of it all that hearing them play felt like being a teenager in love’. Now Wilson and the Sinfonia are back, in an all-British programme that pairs much-loved classics by Elgar and Vaughan-Williams with Walton’s kaleidoscopic Partita, Bax’s stirring musical seascape and Huw Watkins’s spirited Flute Concerto, played by its dedicatee Adam Walker.
Happy and glorious: the story of British music is inextricably linked with royalty, and down the centuries composers ranging from Handel and Elgar to Walton, Parry and Vaughan Williams have risen to royal occasions with music of breath-taking pageantry, beauty and power. In the Queen’s Platinum Jubilee year the BBC Concert Orchestra and BBC Singers present a celebration of music and royalty in all its splendour: from the music of the Tudor court to Britten’s Coronation opera Gloriana, by way of Handel’s majestic Coronation Anthems, choral music by the current Master of the Queen’s Music Judith Weir, and a specially commissioned new work by Cheryl Frances-Hoad.
Giuseppe Verdi had a complicated relationship with religion: he asked to be buried with just ‘one priest, one candle, one cross’. But as a born dramatist, he knew how to tell a great story – and his colossal Requiem encompasses death, rebirth and the end of the world itself, in music that simply blazes with passion and power. Now, in the vast spaces of the Royal Albert Hall, Sakari Oramo assembles two choruses, a multinational team of solo singers (including 2021 Cardiff Singer of the World Song Prize winner Masabane Cecilia Rangwanasha) and the full forces of the BBC Symphony Orchestra, and prepares to raise the roof. A truly spectacular First Night of the 2022 BBC Proms.
Celebrating the BBC’s centenary year, the Proms partners with Radio 1 Relax for a late-night wind-down. Relax with Radio 1’s Chillest Show presenter Sian Eleri, who appears onstage to introduce a stripped-back set of collaborations and explorations.
Katie Derham hosts continued live coverage from the Royal Albert Hall, at the climax of the world’s greatest classical music festival. Latvian accordionist Ksenija Sidorova and Australian tenor Stuart Skelton join Sakari Oramo and the BBC Symphony Orchestra and BBC Singers for a jubilant programme including music by Florence Price, Latin flavours from Piazzolla and Troilo, English folk courtesy of Percy Grainger and, of course, all the traditional favourites including Rule, Britannia, Land of Hope and Glory and Jerusalem. Katie is joined by special guests Gareth Malone and Maggie Aderin-Pocock.
