Category Archives: reBlogged

Stuff from all my other blogs and journals

Interpol 06/12/10 @ Brixton Academy

Mon 6 Dec – Interpol, Surfer Blood, Anna Calvi

Last month I totally slacked on commenting on all the gigs I went to. Which was a shame because now I’m trying to remember them all and I’m not good at remembering what I wanted to say over 4 weeks ago.

Anyway. Interpol at Brixton.

I got tickets for this and Frank Turner the weekend after AAAAGES before the gigs, so it was a nice surprise when I realised "oh hey, I’m going to a gig this weekend".

Anna Calvi was great. I would love to see her in a smaller venue to really get a good feel for her music, but since I was riiiight at the front it was quite ok. I’m definitely going to check out her album when I remember.

Surfer Blood were ok. Can’t really remember what I thought of their music specifically…but just have a general sense of knowing that they weren’t bad. Did spot the singer just loitering outside after the gig for some reason.

Interpol were ACE. I only really know their first album and their latest. The first album became my "listen to this to drown post-gig tinnitus" album while I was at university and I love it. The new album I really like, but I think I need to listen to it more. Everything else inbetween is a BIG VOID to me.
It was still great though. Never seen them with Carlos, so I can’t really comment on his absence. They played all the songs I love from the new album and a nice selection of older stuff. Love ’em.

Link to the original site

The X-Files 1.03 “Squeeze”

Looking back now, it’s kind of hard to believe that an amazing episode like Squeeze was only the third episode of the first season. Who would have thought?

Into the episode then. From the start there is definitely something going on. Something scary and chilling and omg. You can tell from the music and then the shot of the eyes almost glowing in the dark only confirms it. This guy at the beginning has no chance at all. He’s basically wearing a red shirt from the off. Within a minute he’s dead.

Looking at the vent that the attacker’s come in though kind of makes me wonder if that’s how Santa Claus gets in and out. Maybe that’s not one to share with kids.

“Lucked into the World Trade Center bombing.” If this guy didn’t already come across as a bit of a ass, this would be a big warning flag.  I kind of get the idea that while it’s nice to catch up with an old Quantico buddy, he’s only having lunch with her because he wants her help or more specifically, Mulder’s help (but without actually having to ask “Spooky”).

Mulder talking to this other agents is ace though. He knows exactly what this other guy thinks of him and doesn’t hesitate in jerking him around a little.

I’d forgotten about the voice-over/report bits that used to be in the episodes – I’m kind of glad they went as I don’t think there was a real need to have them. Although in this case it segues nicely into the scene at the meeting where she’s sharing her report with the rest of the team. The rest of the team who are asses when it comes to referring to the work that Scully’s actually been assigned to.

Gotta say though, Scully and Mulder’s clothes are so 90s. So so so 90s.

The Tooms music every time he’s about to show up is a good touch. And that Tooms looks so ordinary really adds to the sinisterness of the entire episode.

I do wonder that the pauses before Tooms answers any question doesn’t bring up some kind of suspicion. Although admittedly, it’s probably just the way he and other people speak. The skeevy agent’s name is Tom, I remember now. He’s a huge ass. A really huge ass. That presumes to know what Scully wants. Which makes me dislike him even more. And makes Mulder seem super reasonable and nice in the scene immediately after the polygraph test. Even though we know he’s saying it to make Scully wonder what he’s up to next.

Back to Tooms, I also wonder why he doesn’t take his shoes off when climbing down the chimney. He can alter the shape of his body but he definitely can’t change the shape of his shoes. That’s got to be an inconvenience at least. I know that we never see the actual murders because it’d have been expensive to film and a mess and require a lot of logistical working out, but not seeing the livers getting torn out kind of helps. We can only imagine what he’s doing when he attacks these people.

Do Mulder and Scully get stuck doing a lot of boring old trawling through records later on? I’m sure they don’t. It’s nice to see them do it, but I guess later on everything gets computerised or the Lone Gunmen help or something. Makes it take less time or we just no longer see them doing it.

“Human monster” That really describes Tooms. He’s human. He’s like any one of us. He could be anyone, but he’s also a monster.

I know the whole “every 30 years” thing kind of suggests it, but how does Mulder get the idea that Tooms hibernates? I know he’s smart and that. But it’s kind of out of nowhere.

Scully’s got a really nice house. Is it a house or just an apartment? The windows and that suggest house – but the shot of the cut phone line and the vents and vague memories of later episodes suggest apartment. Is this a strange thing to wonder about as Scully is in the process of being attacked? Probably.

The last shot with the food hatch and Tooms just smiling at it is ace. It’s not over for him and he’s already thinking about how to get out. I suppose that sense of the episode not being over was intentional – I know he’s coming back later on in the season – but if I was watching this when it first aired? I would have thought he was coming back next week. I wouldn’t have expected it 17 episodes later.

Mostly for me, The X-Files is a lot about Mulder and Scully’s relationship and interactions and to a certain extent how their relationship (even if it’s mostly just a working one at this point) affects how other people treat them. Here Scully gets the short end of the stick from her peers because she’s  working with Mulder, but Tom consider’s getting Mulder’s take on things because, perhaps, he’s working with Scully now and therefore is more accessible. There’s a bit of sexism towards Scully too – I doubt that if she was a male agent working with Mulder that her choices would have been questioned so much or looked down upon by Tom and the other male agents working on the team. Neither would they have presumed to think they knew what’s best for her. There’s a lack of respect there which is highlighted even more by the respect that Scully and Mulder afford each other. Scully knows Mulder has some out-there ideas, but she respects that he wants to investigate his theories and helps him to do it properly. She’s willing to at least give him the opportunity to explore a more unusual route because she’s not letting prejudice about his “spooky” reputation affect their working relationship – it’s more that she takes into account the quality of the work he’s done before, his accomplishments academically and his profiling background. At the same time, Mulder respects Scully’s own achievements – she is a qualified medical doctor after all – and that she’s willing to help him, even if she doesn’t believe his out-there theories right away. Plus her skepticism makes him have to really prove his theories and get the evidence properly rather than just letting him get away with postulating wildly.

Link to the original site

The Vaccines @ Madame JoJo’s 30/11/10

Tue 30 Nov – White Heat

Admittedly, I just went to hear The Vaccines, but I feel I should at least mention the other two bands. Various Cruelties were first on and I know I quite liked them, though I can’t remember any of their songs now or what they sounded like. They were okay and maybe if I hear more of their music in the future, I’ll remember them better.

On the other hand, I do remember Colours and not in a good way. :/ The music was ok, but the vocals had an echo-effect slapped on them which kind of ruined it all for me. Not my taste and I only remember them because I really didn’t get into it. 🙁

So. The Vaccines. The most hyped band I’ve heard of all year. I like them. They come across as kind of old-fashioned (not retro, just old-fashioned…there’s some subtle difference I can’t quite explain) and they sound a bit like The Ramones crossed with…other bands I like but can’t name. The songs are uncomplicated and rockin’ and I’m definitely going to buy their album when it comes out. Definitely worth trudging into London in the snow and risking not getting home again.

And no, I have no idea what I actually mean about old-fashioned. It’s just something that struck me while I was listening to them.

Link to the original site

The X-File 1.02 “Deep Throat”

The title of this episode makes me giggle. I can’t help it.

This episode starts off in much the same way as the pilot. Launches straight into the freak-of-the-week item.

Scully’s hair is now proper Scully-hair. Not the quick dye-job she had for the pilot.

“I’ve got something to show you.”
“Something you couldn’t show me at work?”

After stripping down to her underwear for Mulder in the first episode? This totally gets the shipperbrain going.

And Deep Throat! He appears. He is mysterious. And how does he think that he’s a bit naive to think that Mulder will just take the random advice of a complete stranger.

The test pilot thing and the weirdness is kind of uninteresting, but this is the first 10 minutes I suppose. What’s more interesting to me is that it feels like a few months have passed between the pilot and this episode. Mulder and Scully are obviously more familiar with each other now.

Seth Green is in this episode – his first appearance in the series. He does nail the half-baked teenager in all his appearances. The scene with him, the girl and our dynamic duo in the diner is great.

The rest of the episode is kind of mediocre. The only good part really is the interaction between Mulder and Scully. And the fact that Scully is NEVER there when Mulder gets a good look at UFOs in this series.

Link to the original site

The X-Files 1.01 “Pilot”

So this is the first go with blogging while watching. Nt planned this at all and I’ll probably have to go back when I’ve finished to correct all the glaring errors obviously, but here goes.

Should probably point out that I’m a bit of an X-Phile nerd. :)

Feels like it starts kind of half-way through. Watching now, the opening seems incredibly dated. On the other hand, Scully sounds like a minor Mulder-fangirl. Either that or Mulder was really really notorious.

Mulder is ace. Never realised, even after knowing about his education background, that he appeared to be so intelligent right from the beginning. Nice touch taking advantage of Scully’s medical qualifications there.

The bit on the plane, with Mulder spread out over a bunch of seats?  And the turbulence? That he was totes expecting. Great moment.

The rapport is great between Mulder and Scully right from the start. The banter plus the sliiight antagonism and Mulder’s blatent not trusting Scully with everything he suspects = win.

The first autopsy is a bit Alien Autopsy – Mulder’s photo-taking mania is a bit annoying though.

Is it just me, or does it seem like Scully has the tiniest crush on Mulder at the start? Especially with her reaction to hearing him at the door of her motel room?

I’m sure watching this first episode in the cold light of early afternoon is totally draining the spookiness and suspense of the stuff in the woods. Would have been so much scarier if this was late at night I reckon. Or if I’d not already seen it. Or read the novelisation.

The time loss bit is surprisingly exciting. And Mulder is an adorable nerd.

It amuses me every time when Scully basically strips for Mulder after only knowing him for like 3 days. The tell-all about his sister and the stuff he’d been doing up until now in the hotel room? Great moment also. Really builds the relationship between Mulder and Scully – lays out his reasons for him working on the X-Files. Also ties nicely with the very end of the series, but I’ll get to that later on.

Also, who would have thought Billy Miles would come back.

Mulder has reallllly no idea. Maybe. Looks like he’s fishing. Scully’s reaction to his mad theorising is hilarious.

The last part of the episode in the forest is exciting. Exactly the right level of suspense and danger. The part that follows with Scully being debriefed is so on the ball for setting up the rest of the series – you want to know more about the X-Files for one and also want to see how Mulder and Scully get on with each other in the future.

Link to the original site

The Phantom Wooer

A lifeless love song: stargazer lily, bone dust, tomb mosses, buttonweed, moonflower, and honey myrtle.

Dry, floral and with an undercurrent of lemons. It’s light and fresh and I could probably wear this fairly often without getting sick of it. I had worried that there would be too much lily (and I have a thing about lilies) but this is ok – it’s barely there.

Link to the original site

The Gaslight Anthem @ Hammersmith Apollo 21/10/10

Thu 21 Oct – The Gaslight Anthem, Chuck Ragan, Sharks
I love The Gaslight Anthem. Love love love them. I saw them in June at Brixton and they were incredible then. This time round, they upped the ante and were somehow even more amazing.
Starting at the beginning, Sharks, the first support band, were ok. Nothing too memorable though and I think I would have enjoyed them more in a smaller venue with more people there to actually see *them*.
Chuck Ragan, the second support, was epic. Had no idea he was in Hot Water Music until I got home and googled him (I only know Hot Water Music from a split they did with Alkaline Trio, but what I’ve heard I do like). Great songs, especially whatever the new one was that he dedicated to his wife, and he has great stage presence – it was just him and the guy with the violin (John Gaunt?) and that stage was filled. No need for drummer or bassist or anything, which really contrasted with Sharks I guess, thinking about it now.
The main event, obvs, was The Gaslight Anthem. Their set was epic. I mean it. It was WAY WAY WAY long, but it didn’t feel like it was long. Every single song was great and it was amazing to hear She Loves You live. There were songs from all three albums and they all fit well together. I don’t think I can really express how much of a lovely person Brian Fallon seems to be on stage – the whole band really give the performance their all and his rambling little stories really add to the whole experience. They didn’t do any full covers, but at one point I was singing along and realised they were playing the beginning (at least) of Ben E. King’s Stand By Me! Bit random that.
I really think that I’m gonna have to try and see Gaslight every time they come to London. They are THAT good.
And just found the setlist on setlist.fm and Jesus, 27 songs? Wow.


Edit this setlist | More The Gaslight Anthem setlists

Link to the original site

The Gaslight Anthem @ Hammersmith Apollo 21/10/10

Thu 21 Oct – The Gaslight Anthem, Chuck Ragan, Sharks
I love The Gaslight Anthem. Love love love them. I saw them in June at Brixton and they were incredible then. This time round, they upped the ante and were somehow even more amazing.
Starting at the beginning, Sharks, the first support band, were ok. Nothing too memorable though and I think I would have enjoyed them more in a smaller venue with more people there to actually see *them*.
Chuck Ragan, the second support, was epic. Had no idea he was in Hot Water Music until I got home and googled him (I only know Hot Water Music from a split they did with Alkaline Trio, but what I’ve heard I do like). Great songs, especially whatever the new one was that he dedicated to his wife, and he has great stage presence – it was just him and the guy with the violin (John Gaunt?) and that stage was filled. No need for drummer or bassist or anything, which really contrasted with Sharks I guess, thinking about it now.
The main event, obvs, was The Gaslight Anthem. Their set was epic. I mean it. It was WAY WAY WAY long, but it didn’t feel like it was long. Every single song was great and it was amazing to hear She Loves You live. There were songs from all three albums and they all fit well together. I don’t think I can really express how much of a lovely person Brian Fallon seems to be on stage – the whole band really give the performance their all and his rambling little stories really add to the whole experience. They didn’t do any full covers, but at one point I was singing along and realised they were playing the beginning (at least) of Ben E. King’s Stand By Me! Bit random that.
I really think that I’m gonna have to try and see Gaslight every time they come to London. They are THAT good.
And just found the setlist on setlist.fm and Jesus, 27 songs? Wow.


Edit this setlist | More The Gaslight Anthem setlists

Link to the original site